Minimalism is over. Maximalism is home again — and we’ve set the table.
Shag carpet. Faux fur. Carved wood. Lava lamp lighting. A velvet chair that looks like it’s been kissed by a disco ball. Our Jungle Room isn’t just a set — it’s a time machine built with love, vision, and a bold refusal to hold back.
Where some studios chase clean lines and beige tones, we chased something real: a room that feels like a memory, a movie, and a late-night jam session all at once. We weren’t interested in sterile. We were building soul.
???? Designing a Vibe, Not Just a Room
Every item in the Jungle Room was hand-selected for historical accuracy — not in the stiff, “museum-exhibit” sense, but in the emotional truth of the era. The 60s and 70s weren’t quiet decades. They were lush, expressive, and unforgettable. We wanted that.
From the green shag carpet to the leopard-print armchairs, we recreated a space that felt like a real living room — the kind you’d find in a Memphis mansion or maybe backstage at a Bowie concert. A place where velvet hangs heavy in the air and time slows down with every color-soaked corner.
We asked ourselves: If Elvis had a fashion studio in 2024, what would it look like?
The answer? Probably something a lot like this.
???? The Fashion Playground
This space was designed for our 70s-inspired collections to come alive. Our glam flare pants, butterfly collar shirts, and hand-stitched pieces don’t just fit in here — they belong.
The Jungle Room gives them context — a cinematic, high-drama stage that turns every outfit into a character, and every photo into a scene.
Whether it’s a male model lounging on a moss-green throne in a glam rock shirt, or a full group shot that looks like a still from a lost 70s film, this room helps us tell the stories we’ve always wanted to tell.
???? Why Maximalism Matters (Still)
In a world flooded with content, subtlety gets lost. What cuts through? Intention. Emotion. Texture. History. All the things that maximalism holds close.
Our Jungle Room isn’t just about being bold — it’s about being unapologetically you. It’s about finding freedom in layers, storytelling in objects, and magic in details. The things that used to be called “too much” now feel just right.
Because when you’re designing for the spotlight, more is more. And that’s exactly how we like it.